Is Rings Of Power Canon To The Lord Of The Rings And The Hobbit Trilogies Like In The Same Universe

Is Rings Of Power Canon To The Lord Of The Rings And The Hobbit Trilogies Like In The Same Universe – Galadriel’s journey in “The Rings of Power” is very different from her story in Tolkien’s books. Credit: Matt Grace/Prime Video

Are here and they are nothing short of magnificent. However, contrary to what the title suggests, the story of this series is not actually J.R.R. Tolkien’s

Is Rings Of Power Canon To The Lord Of The Rings And The Hobbit Trilogies Like In The Same Universe

. You will find no Frodo, no Gandalf and no company. You also won’t find the demonic gem, The One Ring…at least not yet.

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Makes some changes between page and screen. But his changes—including creating entire characters from scratch—are on a much grander scale. Therefore, I will not go into the exact differences between the book and the show. We would be here all week! Instead, I’ll look at these major structural changes, why Payne and McKay made them, and whether or not they work.

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Takes place in the second century of Middle-earth. Many things happened in this century, including the rise and fall of the kingdom of Númenor and the forging of the Great Rings. But not much is explained in detail – you can find a condensed timeline of these events in Appendix B of

. This allows them to work out the major turning points of Middle-earth in a way that Tolkien could not with a timeline. Don’t expect the show to stick strictly to the timeline set out in Appendix B – it certainly will

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According to an interview in Vulture, McKay and Payne also looked to Tolkien’s other books for clues about what happened in the second century. They found some of these clues in the songs the characters sing and the stories they tell each other, which just goes to show how deeply connected Tolkien’s mythology is. The audience will also gain referrals

, is set in the second century, and we’ll definitely see a version of it on the show. Without spoiling anything,

Centered on the human kingdom of Númenor. It’s extremely important to Tolkien’s mythology, and based on the trailer, will play a big part in it

I can hear the hand spinning now. “New characters? But what about the cannon! Remember the cannon!” To that I say: Don’t worry. The new characters introduced in The Rings of Power

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New characters include Nori Brandyfoot (Markella Kavenagh), Harfoot with a taste for adventure; Arondir (Ismael Cruz Córdova) and Bronwyn (Nazanin Boniadi), an elf and a human who are in love; and Halbrand (Charlie Vickers), a shipwreck. Just because these characters are new

For example, there is Nori Harfoot, the ancestor of the hobbits. The Harfoots appear only briefly in the prologue

, but McKay and Payne extended this short memory to imagine what Harfoot’s life would have been like in the second century. Hobbits don’t figure into major Mediterranean events until Bilbo and Frodo come on the scene, so the inclusion of Nori and her family still gives us Hobbit-like characters to hang onto. As McKay told Vanity Fair, “really, does it feel like Middle Earth if you don’t have hobbits or something like hobbits in it?”

So Arondir and Bronwyn take. Their characters – and romantic relationships – are both creations for the show, but human-elf love stories are a regular feature of Tolkien’s work. Arwen and Aragorn I love

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. Both of these stories delve into the complexity of a love story between someone who is immortal and someone who dies. The story of Arondir and Bronwyn will probably explore this as well, though that’s certainly not the only purpose.

All of which is to say that these characters didn’t just come out of nowhere. Nori, Arondir, Bronwyn and many other newcomers to Middle-earth are still based on Tolkien’s works. They help fill out the elements of Tolkien’s timeline and add some pleasant surprises to a cast that includes some already familiar faces.

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Princess Disa (Sophia Nomvete) is a new character but she will steal your heart. Credit: Ben Rothstein/Prime Video

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With new characters come new – or changed – storylines. The most notable change is the centralization of Galadriel (Morfydd Clark) and her quest to destroy Sauron once and for all.

Makes Galadriel the protagonist in a way she hasn’t been before, exploring her role as a commander and leader before she became Lady of Lórien. It’s an exciting change that introduces a new origin story for a character we’ve seen before.

Trilogy, but also different enough that it’s clear she has room to grow. Additionally, her tenacity in her pursuit of evil fits right in with the heroism and courage of Tolkien’s other great protagonists.

New stories also allow us to travel to new locations in Midgard that we haven’t yet seen on screen. Bronwyn and Arondir’s storyline takes us to the Southlands, Noris takes us to Rhovanion, and the storyline with Elrond (Robert Aramayo) and Celebrimbor (Charles Edwards) transports us to the dwarven kingdom of Khazad-dûm at the height of its power. When

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Gotta change canon so we can explore these places and then meet these characters i don’t care. Deviating from the source material that deepens our understanding of Tolkien’s vast world is far more exciting than the desire to play it safe.

Adaptation is more than just getting every plot point right. It is about translating and preserving the meaning and spirit of a work from one medium to another.

Has this core truth in mind, even if it takes a lot of swings and deviates from its element. His new characters and plot are thoughtful additions to Tolkien’s Second Age writing, filling the void of “The Age” in a way that is both unexpected and yet deserved. Finally,

Is both an homage to Tolkien’s work and an exercise in mythmaking, based on works such as “The Tale of the Years”. Tolkien, himself a master of myth, would surely understand.

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Belen Edwards is an entertainment reporter at She covers film and TV with a focus on fantasy and science fiction, adaptation, animation and other nerdy goodness.

This newsletter may contain advertisements, offers or affiliate links. Subscribing to a newsletter indicates your acceptance of our Terms of Use and Privacy Policy. You can unsubscribe from the newsletters at any time. TV critic Verne Gay looks at “The Lord of the Rings,” the most expensive series in television history. credit:

In the early 2000s, when movies were blockbusters and we saw them in all their glory in theaters, “The Lord of the Rings” was the blockbuster to rule them all. Arriving just two months after 9/11, his generous spirit, intense optimism and Hobbit-like wonder helped soothe a wounded world, if only for a moment.

But New Zealand director Peter Jackson also had a unique advantage with this win: The eponymous J.R.R. Tolkien books themselves. He packed all six of them, or 1,178 pages, into nearly 12 hours of film. The classic trilogy would eventually win 17 Academy Awards and now stands as the most successful film adaptation in film history.

Ways ‘the Lord Of The Rings: The Rings Of Power’ Is Different From J.r.r. Tolkien’s Books

So what does Prime Video’s “The Lord of the Rings: The Rings of Power” bring to the party? What could it do?

First, it is the generous support of the third largest company in the world. “Rings of Power” may be the most ambitious TV series ever made and easily the most expensive, perhaps over $1 billion in production costs if it runs five years from now. For special effects, the show tapped the same company Jackson once started to create all the indelible scenes for his own “LOTR” movies. “Saturday Night Live” first-time music director Howard Shore, who won three Oscars for his “LOTR” score, wrote the opening theme.

A scene from Amazon Studios’ The Lord of the Rings: The Rings of Power. Credit: Amazon Studios/Prime Video

In fact, “Rings of Power” seems to have almost everything except these books. This massive spread will be based on the mere 150 (or so) pages that have appeared at the end of The Lord of the Rings since its publication in 1954. Although most casual readers have barely bothered to scan the so-called “appendices”. ”, devoted fans have long searched for the backstory of the main story. Apart from the plot, they are instead full of facts and figures about the medieval kingdoms of old and the heroes and heroines who – for Galadriel, Lady of the Cate Blanchett, woods of Lothlórien, at the beginning of “The Fellowship of the Ring” – is long ago ” gone into legend”.

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The rest of Tolkien’s famous “Legendarium” is excluded from the episode. That includes dozens of other books that could have filled stories and screen time. And to make it all a little more terrifying, “Rings of Power” will only be about the second century of Middle-earth. It lasted thousands of years and Tolkien

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